TheMaskComix

I should have made this note a long time ago. But with all the returning interest on the Mask (both tangible and gossip), I feel that this would be the perfect time to deconstruct what it is about these stories that have managed to retain a sizeable following since the 90s. So for all of those who do stumble on this note—whether by accident or by notification, welcome. The Mask The concept was created by writer Mike Richardson and first published in Dark Horse comics (first appearing in 1987). Writers and artists John Arcudi and Doug Mahnke would go on and write the stories for those comics. It was later adapted to a motion film starr

Well, sort of... Line art and conceptualisation take up most of my time. But shadows and lighting are missing and they play a role in storytelling as well so I wouldn't say these are completely finished. But that shouldn't stop you from finishing the chapter. The story's been in hiatus long enough! I only ask that long-standing readers of the comic (and the new ones who have found me out recently) re-read the first half of the chapter posted in the gallery as it will allow you to re-contextualise the story. And please comment below with your thoughts on the story once finished. I really enjoy your comprehensive reviews. READ HERE AND ENJOY

With another chapter finished, it's time to go back and reminisce on how I planned this chapter, things that I've learned, and areas where I've succeeded and/or failed. Let's jump right in. Illustrations: The biggest changes to the art style were the flashback scenes. Comics must obey the show-don't-tell rule more than written pieces because they're overtly visual. Other comics usually have visual indicators whenever they'd go back in time. For this comic, I previously used time stamps indicated in text boxes. But with no obvious visual cue, they lack substance. I decided to go with a monochromatic green palette to stay in theme with the M